Moving around the apartment of this old building, a home full of books and sheet music in which the mighty grand piano takes centre stage, the child is a small and hopeless wolf who acts tough in order to hide his great vulnerability. But then the teacher makes the decision to hide and protect this child, even at the risk of his own safety. Initially, suspicion and mutual distrust prevail. And in order to save the rest of the family, Ciro’s father wants to hand his guilty son over to the mobsters (“he’s already dead, we need to think about the living”).Īn educated and refined opera and theatre director, even before entering the world of cinema, but also a screenwriter and author, Sicilian filmmaker Andò explores the paternal relationship which develops between this man who has cut all contact with the outside world, who plays Robert Schumann’s Träumerei on the piano and who can recite Kavafis’ poems off by heart, and a boy who has been taught not to feel emotions. Their attack saw the woman fall to the ground and she’s now in a hospital bed, lying in a coma. He’s committed an irreparable error: he and his friend have mugged the mother of a powerful boss who rules over half of Naples. Ciro ( Giuseppe Pirozzi), as he’s called, is on the run from his own family, notably his Camorra father ( Sasà Striano). During a moment of distraction, a 10-year-old child-neighbour sneaks into his apartment. Santoro has chosen to set up home in Forcello, a “tricky”, working-class neighbourhood in the city, where everyone calls him “the teacher”. The movie’s lead character is Gabriele Santoro - played convincingly and melancholically by Silvio Orlando - who holds the piano chair at Naples Music Conservatory.
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